The NUMA project

Ancient materials, contemporary perspectives.

NUMA is founded on the idea that the value of an object also lies in its materials, in the gestures that make it and in the meaning it takes on for the person who chooses it. Since 1999 Roberto Zani has led a path of research that brings contemporary designers into dialogue with craft knowledge.

The first collection, Metallia, gives pewter a contemporary language through the work of several designers and the craftsmanship of Alfredo Marinoni. The research extends to fine woods worked by Atelier Rivadossi and to Murano glass. Ettore Sottsass, Giuseppe Rivadossi and Mario Botta bring recognisable visions to the project; Mario Luzi and Remo Bodei open further relationships with poetry and philosophy.

In NUMA’s collections, the proportions of design meet the sensitivity of those who cast, shape, carve and finish. The grain of the wood, the light of the metal and the gesture of the hand give character to every piece. These are works to observe, keep and live with, able to accompany over time the domestic landscape of those who choose them.

NUMA milestones

  1. 1999

    Metallia. A collective project in pewter.

    Metallia

  2. 2001

    Just For Flowers. Six vases by Ettore Sottsass.

    Just For Flowers

  3. 2003

    Custodie. Giuseppe Rivadossi’s work in walnut.

    Custodie

  4. 2004

    Tavole and Scatole Segrete, by Ettore Sottsass.

    Tavole, Scatole Segrete

  5. 2006

    Tredicivasi; Delle segrete, silenziose lacrime; Ospiti della Vita. Architecture, poetry and philosophy.

    Tredicivasi, Delle segrete, silenziose lacrime, Ospiti della Vita

Roberto Zani Tells the NUMA Story

The reasons behind the research, the relationship with the designers and the meaning of the objects, in the words of the person who conceived the project.

Read the full story

Five collections