{"id":5552,"date":"2018-05-18T18:33:09","date_gmt":"2018-05-18T18:33:09","guid":{"rendered":"https:\/\/numadesign.it\/catalogo\/uncategorized\/basilio"},"modified":"2018-05-18T18:33:09","modified_gmt":"2018-05-18T18:33:09","slug":"basilio","status":"publish","type":"product","link":"https:\/\/numadesign.it\/en\/catalogo\/metallia-en\/basilio","title":{"rendered":"Basilio"},"content":{"rendered":"
\n

\u00abPewter is an ancient metal alloy: tin, copper, lead… what is produced with this alloy is motionless, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: thus brilliant, silver-like objects are made, which nevertheless do not lose their immobility and presence\u00bb.<\/em>
\nEttore Sottsass<\/em><\/p>\n<\/blockquote>\n

METALLIA is contemporary pewter.<\/b> To rediscover an \u2018ancient\u2019 material such as pewter, giving it new forms, characterising it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to offer pewter objects anew through the interpretation of different designers and their modern language, with the fundamental contribution of the know-how of Alfredo Marinoni<\/strong>.\u00a0 <\/span>Metallia represents the meeting between the craftsman, who knows the material and how to work it, and the poetics of the project, which gives the material new expressiveness.<\/p>\n

Pewter is an ancient material<\/strong>, which was already worked in Europe in the early sixteenth century, by casting a tin alloy in engraved iron or brass moulds and then working it with the techniques of etching and hammering to obtain forms from the craft tradition. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in every respect, with extraordinary ductility and great plasticity.\u00a0 <\/span>Contemporary Pewter<\/strong> is made of a composite blend of metals, with the absolute exclusion of lead; it therefore keeps unaltered the distinctive characteristics that set it apart and its great plasticity; it is absolutely hygienic and can be used to make objects for serving at table and in the kitchen, as well as, of course, for all furnishing objects.<\/p>\n

The insight at the heart of METALLIA gives new strength to this ancient material, and the forms, the objects, the proposals created are the truly remarkable result of the great artistic abilities of the Designers that pervades the work of Numa.\u00a0 <\/span>This is also borne out by the fact that Tamar Ben David<\/strong>, Liliana Bonomi<\/strong>, Giovanni Levanti<\/strong>, Marco Susani<\/strong> and Mario Trimarchi<\/strong>, designers of marked artistic sensibility, particularly attentive to the use of materials in the craft and industrial fields, enthusiastically joined in the realisation of the METALLIA project. The support of Ettore Sottsass<\/b>, anarchic poet of the architecture of this century and one of the fathers of design, was of fundamental comfort to the project.<\/p>\n

The result of this work is expressed in a programme of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in any setting.\u00a0 <\/span>The Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by craftsmen, but reinterpreted in the light of design.<\/p>\n

Metallia therefore represents, in the path undertaken by NUMA, the first occasion of encounter between the knowledge of the craftsman, who knows the material and the techniques for working it, and the poetics of the project, which gives matter a new expressiveness, the feeling of a new ethical and symbolic dimension of making.<\/p>\n","protected":false},"excerpt":{"rendered":"

The rigorous and skilled design makes this object precious. The act of offering\/containing is made important by the pillar supports of the basin. It is almost a domestic altar made of a material long worked by skilled craftsmen. The cast material offers a tactile reading in the light of day. It is a piece of modest size, but one that could be replicated on a larger scale without ever losing its balance and its composure.<\/p>\n","protected":false},"featured_media":3488,"template":"","meta":[],"product_brand":[],"product_cat":[263],"product_tag":[314,328,324,304,342],"class_list":["post-5552","product","type-product","status-publish","has-post-thumbnail","product_cat-metallia-en","product_tag-ettore-sottsass-en","product_tag-porta-frutta-en","product_tag-peltro-en","product_tag-alzata-en","product_tag-tavola-en","pa_collection-metallia","pa_materiale-fusione-in-peltro-rifinito-a-mano-con-operazioni-di-saldatura-e-di-lucidatura-con-spazzola","first","outofstock","product-type-simple"],"_links":{"self":[{"href":"https:\/\/numadesign.it\/en\/wp-json\/wp\/v2\/product\/5552","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/numadesign.it\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/numadesign.it\/en\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/numadesign.it\/en\/wp-json\/wp\/v2\/media\/3488"}],"wp:attachment":[{"href":"https:\/\/numadesign.it\/en\/wp-json\/wp\/v2\/media?parent=5552"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/numadesign.it\/en\/wp-json\/wp\/v2\/product_brand?post=5552"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/numadesign.it\/en\/wp-json\/wp\/v2\/product_cat?post=5552"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/numadesign.it\/en\/wp-json\/wp\/v2\/product_tag?post=5552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}